Författare

Liina Talvik

Bästsäljande6 verksv

Liina Talvik är en uppskattad författare inom Barn och ungdom och Kultur med totalt 6 böcker tillgängliga på Bokkollen.

Bland verken finns Hermann Talvik - An open conversation with Madis Üürike, som toppar listan över Liina Talviks populäraste böcker. Verken spänner över kultur och tilltalar läsare som uppskattar genren.

Letar du efter något nytt att läsa? Prova Djävulens gömställe – ett annat uppskattat verk av Liina Talvik.

På Bokkollen gör vi det enkelt att navigera i Liina Talviks författarskap. Vår databas uppdateras ständigt med nya släpp och format, så oavsett om du söker efter en lättläst pocket för semestern, en lyxig inbunden presentutgåva eller en digital ljudbok för pendlingen, har vi rätt utgåva för dig.

Jämför snabbt och smidigt priser på alla böcker av Liina Talvik hos Sveriges ledande bokhandlare – som Adlibris, Bokus och Akademibokhandeln – och hitta alltid det bästa erbjudandet utan att betala för mycket.

Hermann Talvik - An open conversation with Madis Üürike
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Hermann Talvik - An open conversation with Madis Üürike

What do you see? he asked. Often. The question was directed at our innermost being. Because what do we see? What do you see, and what do I see? Who are we? Do we truly know who we are? You and I? In the series An open conversation with ..., I talk to people who, in various ways, have been affected by my father Hermann Talviks highly personal and sensitive compositions. My hope is that, as a reader, you will feel invited to mentally take part in this conversation. That you will permit yourself to reflect, question and accept your own thoughts as well as my own and ours. In this book I meet Madis Üürike, an art collector and friend, who was also forced to flee from Estonia to Sweden in the final stage of the Second World War. Hermann Talvik (1906-1984) was a versatile artist, both in terms of techniques and subject matter. His painting runs from lyrical landscapes to spiritual compositions. His prints span the range from woodcuts and linocuts to drypoints and etchings. He was also the master of the monotype a technique in which a single copy was made from a painting on a flat surface. Much of his art has its origins in experiences from a world beyond the physical one. The compositions are loaded with a complex symbolic language sometimes the depiction of a violent event, sometimes an encounter in dazzling light while others illustrate Biblical stories. He was reluctant to talk about his own vision and what lay behind his works. He preferred not even to name his artworks, as he felt this would get in the way of our personal interpretations. Interpretations that can be coloured by our unique experiences and which are linked to our own spiritual presence. What do you see?