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Winner of the National Book Critics Circle Award for CriticismA new edition of Susan Sontags groundbreaking critique of photographyits problems, politics, and possibilities.To photograph is to appropriate the thing photographed, Sontag writes in the opening pages of On Photography, which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise.With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imageryto seduce, to advertise, to evoke, to commemorate, to conspire, to concealacross six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.
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